I had a nice WhatsApp conversation with my daughter S-sh- (I'm using code to protect her privacy). She is in Colombia studying shamanic use of fire (probably a slight simplification).
I was then going to do my whole blog about her, but decided to keep that for the 12 of June (hopefully I'll still be blogging).
I went to see a new western tonight "Hostiles". One of these modern slow western where the implacable ennemies (a soldier and an indian chief) ending up understanding each other. The slowness and the photography of their long trek from New Mexico to Montana is what makes the film. It's nice to see that my favourite movie genre hasn't quite become part of history yet. Surely, it should be clear to all that westerns have it all:
I was then going to do my whole blog about her, but decided to keep that for the 12 of June (hopefully I'll still be blogging).
I went to see a new western tonight "Hostiles". One of these modern slow western where the implacable ennemies (a soldier and an indian chief) ending up understanding each other. The slowness and the photography of their long trek from New Mexico to Montana is what makes the film. It's nice to see that my favourite movie genre hasn't quite become part of history yet. Surely, it should be clear to all that westerns have it all:
- stunning photography: they are set in amazing empty landscapes;
- hightened tension: it's always life and death;
- great music: who can beat Ennio Morriccone
- ethical dilemas: who is the goody and who is the baddy;
- philosophical questions: nature versus civilisation;
- great dialogue: "I saw three of these dusters a short time ago. They were waiting for a train. Inside the dusters there were three men. Inside the men there were three bullets." (Bonus points to the first one who can tell me the film)
- romance: ok I'll admit they fall a bit short there.
- Once upon a time in the west - Sergio Leone - 1968
- Unforgiven - Clint Eastwood - 1992
- My name is nobody - Tonino Valerii - 1973
- Butch Cassidy and the Sundance Kid - George Roy Hill -1969
- The magnificent seven - John Sturges - 1960
- High Noon - Fred Zinnemann - 1952
- The wild bunch - Sam Peckinpah - 1969
- The man who shot Liberty Valance - John Ford - 1962
- Django unchained - Quentin Tarantino - 2012
- The good, the bad and the ugly - Segio Leone - 1966
Once upon a time in the West!
ReplyDelete(1) Do you have so little to say about me that you have to reserve it for one day of the year?
ReplyDelete(2)It's ColOmbia, not Columbia
(3) I can't believe you put Django Unchained before the Good, the bad and the ugly
1 extra point + I liked the idea of starting and finishing with Sergio Leone + I'm sure you'll crop up from time to time. Glad the commenting works
ReplyDeleteI meant 2
ReplyDeleteFabien, have you read this book: High Noon: The Hollywood Blacklist and the Making of an American Classic High Noon?
ReplyDeleteI heard an interview with the author, apparently the movie was written as an allegory for the hollywood blacklist. Sounded really good and from this post, something i think you may enjoy!